CD Track List

 

Tuesday, July 22

Disc 1 10am Recital: Jeffrey Snedeker, Jennifer Montone & Gail Williams-Disk 1

1. Remarks by Jeffrey Snedeker

2. Okukoowoola Kw’Ekkondeere: Horn Call for Solo Horn Justinian Tamusuza

Jeffrey Snedeker, horn

3. Sonata Trygve Madsen

I Allegro II Quasi menuetto III Moderato, e poco rubato

Jennifer Montone, horn Tomoko Kananaru, piano

4. Sonata Henry Eccles

I Adagio II Allegro III Largo IV. Vivace

Jennifer Montone, horn Tomoko Kanamaru, piano

 

Disc 2 10am Recital: Jeffrey Snedeker, Jennifer Montone & Gail Williams-Disk 2

1. Shallow Streams, Deep Rivers Dana Wilson

I Freely: strict time II With great warmth and intimacy III Slowly: with energy

Gail Williams, horn Yumi Hwang-Williams, violin Caryl Conger, piano

2. Fantasiestücke, Op. 12 (transcription) Robert Schumann

Jennifer Montone, horn Tomoko Kananaru, piano

3. Calls Verne Reynolds

Jennifer Montone, horn Gail Williams, horn

 

Disc 3 2pm Recital: Lamont School of Music Horn Choir, Colorado Symphony Horn Section, John Ericson, John Cox & Frank Lloyd

1. The Ascension Paul Basler

2. Scherzo Felix Mendelssohn, arr. Steiner

University of Denver Horn Studio, Dr. Joseph Martin, conductor

3-7. Five Pieces for Five Horns (1952) Gunther Schuller
I. Largamente e maestoso II. Adagio e con tenerezza III. Tranquillo

IV. Con moto e agitato — Adagio V. Toccata (Energico)

Colorado Symphony Orchestra Horn Section

Michael Thornton, David Brussel, Kristin Jurkscheit, Fritz Foss,

Kevin Rivard, horns Conducted by Marin Alsop

8. Cantecor, Op. 77 Henri Büsser

John Ericson, horn Kathia Bonna, piano

9. Romance, Op. 36 Camille Saint Saens

John Cox, horn Kathia Bonna, piano

10. Fantasie, Op. 2 Franz Strauss

John Cox, horn Kathia Bonna, piano

11. Air aus der Orchestersuite in D dur J.S. Bach

John Ericson, wagner tuba Kathia Bonna, piano

12. Toccata and Fugue in D Minor J. S. Bach

Frank Lloyd, horn

13. The Happy Blues

Frank Lloyd, horn

 

Disc 4 Lecture: Bruce Atwell-“Recital Preparation and Performance-An Interview Project”

In the Spring of 2007, Bruce interviewed six outstanding horn soloists, asking them about how they prepare for and perform recitals at such a high level. At this session, Bruce discusses their answers and adds a few of his own from his 10 years as a university horn teacher. Fascinating and provocative!

Interviewees were:

John Cerminaro, David Ohanian, Froydis Ree Wekre, Eric Ruske , William Vermeulen, and Gail Williams.

These extraordinary hornists have performed hundreds of successful recitals and solo performances. Find out how they did it!

 

Disc 5 Lecture: Lowell Greer-“Holy Horns, Batman! Getting paid for a Church Gig”

Use of the Liturgical Horn (as a way to find more employment opportunities).

 

Disc 6 Lecture: Jennifer Sholtis-“Buzzing Techniques for All Ages and Levels”

Is lip buzzing important? Is mouthpiece buzzing important? Jennifer Sholtis, Michelle Stebleton, Frøydis Ree Wekre, and Gail Williams say, “Yes it is!” This clinic demonstrates how lip and mouthpiece buzzing, when used effectively, can improve tone, intonation, tonguing, flexibility, accuracy, and endurance (the list goes on) faster and more efficiently. Each clinician presents and demonstrates techniques they consistently teach their students. Come to the clinic and find out more information!

 

Disc 7 7:30pm Concert: University of Colorado Horn Choir, Advisory Council Ensemble, Jesse McCormick & Susan McCullough-Disk 1

1. Fanfare Daniel Kellogg

University of Colorado Horn Choir, Michael Thornton, conductor

2-3. Two Pieces for Solo Horn, Horn Choir, and Piano Paul Basler

I Angelus II Praise

Soloist: Lisa Rogers, Hong Kong Philharmonic Co-Principal Horn, and

University of Colorado alumna

4. Evening Prayer from Hansel and Gretel Englebert Humperdinck/Kirschen

University of Colorado Horn Choir, Michael Thornton, conductor

5. Summer Meeting 77 François Glorieux

University of Colorado Horn Choir, Michael Thornton, conductor

6-8. Bridge of Dreams Eric Ewazen Commissioned by Tsunobub Shudan

I The Seven Sages of the Bamboo Grove II White Plum Blossoms and Moon

III Lions at the Stone Bridge of Tendaisan

Advisory Council Ensemble, A. David Krehbiel, conductor

9-11. Concerto for Two Horns and Orchestra Antonio Rosetti (Murray C 57)

Cadenza composed by Prof. Michael Höltzel

I Allegro II Romance Adagio non tanto III Rondo – Allegro

Susan McCullough, horn Jesse McCormick, horn Caryl Conger, piano

 

Disc 8 7:30pm Concert: The Cleveland Orchestra Horn Section-Disk 2

1-3. Suite for Six Horns Roger Johnson

I Prologue II Chorale III Fugato

Michael Mayhew, Jesse McCormick, Richard King, Richard Solis,

Hans Clebsch and Alan DeMattia

4-8. Sonata for Four Horns Paul Hindemith

I Fugato II Lebhaft III Variationen

Richard King, Hans Clebsch, Jesse McCormick and Richard Solis

9-11. Sextet Ludwig van Beethoven, arr. Martinet

I Allegro con brio II Adagio III Rondo

Solo 1st Michael Mayhew Solo 2nd Hans Clebsch

Richard King, Richard Solis, Alan DeMattia and Jesse McCormick

12. Tribute Don Haddad

Richard King, Alan Demattia, Hans Clebsch, Richard Solis,

Michael Mayhew and Jesse McCormick

Commissioned for the 2008 International Horn Symposium as a tribute to Jerome Ashby.

 

Wednesday, July 23

Disc 9 Classical Improv with Jeffrey Agrell-Session 1

Players interested in improvising as classical (i.e. not jazz) musicians have a chance to take part in daily improv sessions led by Jeffrey Agrell; the sessions are based on games taken from his new book, Improvisation Games for Classical Musicians (GIA Publications).

 

Disc 10 Group Masterclass with The Cleveland Orchestra Horn Section

Coaching group masterclass winners Oklahoma State University and Western Michigan University Horn Studios.

 

Disc 11 Scholarship Competition

Featuring finalists Emily Bier, John-Morgan Bush, Patrick Campbell Jankowski, Alonzo Martinez and Meredith Moore.

 

Disc 12 Lecture: Kathy Brantigan-“Brass for Every City”

Kathy Brantigan, Executive Director of The Denver Brass Inc., presents an outline for establishing a successful brass chamber business with a local rather than touring focus. Effective marketing, management, development, and program design can win over a city and position the brass alongside the symphony and ballet.

 

Disc 13 Lecture: Brent Shires-“Horn Solos with Band: An Overview”

The repertoire for the solo hornist accompanied by wind band is not well-known to many. Most directors and players turn to transcriptions of Strauss and Mozart orchestral concertos when the opportunity arises. This lecture helps uncover the hidden gems originally written for the solo horn with band, with excerpts performed with piano reduction. A brief history of the genre is included as well. Brent Shires, Horn Professor at University of Central Arkansas, has spent the last fifteen years researching works for solo horn and wind band. He is currently completing his doctoral project at the University of Illinois, which is titled "An Analysis of Three Selected Concertos for Solo Horn with Wind Band Accompaniment," which approaches the works by Ralph Hermann, David Amram, and Kazimierz Machala. Terrie Shires serves as Piano Instructor and Accompanist at UCA, and assists with the presentation.

 

Disc 14 2pm Recital: Baldwin-Wallace Horn Studio, Bruce Atwell, Patrick Hughes, Nancy Joy, Kevin Rivard, Jeffrey Snedeker and Marcia Spence-Disk 1

1. Egmont Overture, Op. 84 Ludwig van Beethoven

Transcribed for 8 horns by Alan Civil

Baldwin-Wallace Horn Studio, Jesse McCormick, conductor

2. Gently Weep for natural horn and digital delay Thomas Hundemer

Jeffrey Snedeker, natural horn

3-4. Fifteen Pieces, Op. 180 Charles Koechlin

XIII Allegro assez vite I Dans la forêt romantique

Marcia Spence, horn Tomoko Kanamaru, piano

5. Nella Fantasia from The Mission Ennio Morricone/Bryan Rowe

Nancy Joy, horn Leah Houpt, piano

6. Scherzo a la Chasse Vitaly Buyanovsky

Bruce Atwell, horn Kathia Bonna, piano

7. Aria from Bachianas brasileiras no. 5 Heitor Villa-Lobos, arr. William Wiegard

Patrick Hughes, horn Jonathan Barlow, Roger Harmon, Rian Fiegal and

Javier de los Santos, guitars

8. Pour Le Cor Odette Gartenlaub

Kevin Rivard, horn Caryl Conger, piano

9. Nimrod from “Enigma Variations” Edward Elgar, arr. Bryan Rowe

Nancy Joy, horn Leah Houpt, piano

 

Disc 15 2pm Recital: The Japan Horn Society-Disk 2

1. Homage for 7 Horns Kentaro Kobayashi

The Japan Horn Society, Nozomu Segawa, conductor

2. SATOGAMI-NO-TSUDOI for 6 Horns (World premiere) Kentaro Kobayashi

The Japan Horn Society, Nozomu Segawa, conductor

3. Air J.S. Bach, arr. Florian Janezic

The Japan Horn Society, Nozomu Segawa, conductor

4. German Dance No.6 W. A. Mozart, arr. Willis Traphagan

The Japan Horn Society, Nozomu Segawa, conductor

 

Disc 16 Audition Bootcamp with Bernhard Scully and Jesse McCormick-Session 1

As more and more students graduate from great music schools all over the world, competition at auditions continues to increase every year. The "Audition Bootcamp" lecture series covers a broad range of topics aimed at assisting musicians to develop the "skill" of auditioning including:
• Preparation before practicing excerpts
• Achieving and maintaining focus throughout the audition
• Covering the basics- rhythm, intonation, tone quality, etc.
• Excerpt preparation
• Audition day tips
• Dealing with performance anxiety
Often at auditions you have less than 10 minutes to "sell" your product. Learn how to be a more effective salesperson for your playing.

 

Disc 17 Pedagogical Pearls with Douglas Hill-Session 1

If it weren't for our teachers, how well would we play? If it weren't for great players, how well would we teach? If it weren't for innovative thinking, how could we ever know? If we don't tell each other what we know about how we tell about how we play and about how we teach, how will we ever improve? Four varied panel discussions on teaching and learning. Professor Douglas Hill moderates the sharing of ideas by guest artists, teachers, and audience members on philosophies, theories, and the practical concerns of building and running a successful horn studio filled with talented and enthusiastic students.

Panel 1- “Varied Concerns from the Teacher’s Prospective”

With guests-Jennifer Montone, Richard Chenoweth, and Lisa Ford

 

Disc 18 Amateur Corner with Jeffrey Agrell

 

Thursday, July 24

Disc 19 Masterclass with David Krehbiel

Coaching individual masterclass winners, Emily Bier and Derek Wright.

 

Disc 20 Classical Improv with Jeffrey Agrell-Session 2

Players interested in improvising as classical (i.e. not jazz) musicians have a chance to take part in daily improv sessions led by Jeffrey Agrell; the sessions are based on games taken from his new book, Improvisation Games for Classical Musicians (GIA Publications).

 

Disc 21 Lecture: Bernhard Scully-“A Singing Approach to Horn Playing”

This class addresses a few ways that can improve playing, and more importantly, musicianship. By focusing on the areas of the importance of buzzing on the mouthpiece, tone production and sight singing, we can better develop our musical concept and our own musical personality. Along with these benefits, we will be developing good technical fundamentals. We can learn to effectively practice AWAY from our instruments by internalizing the music. The class explores ways in which we can connect all of these areas of playing, helping us to become a more complete musician who happens to play the horn!

 

Disc 22 Lecture: Richard Chenoweth-“The Horn in Opera”

"The Horn in Opera" is a survey and discussion of the differences between playing on stage and in the opera pit by a 35-year veteran of the Santa Fe Opera, and the horn soloist on recently-released CD, "The Horn in Opera". Special attractions of this session include discussions of style, repertoire, audition strategies and operatic conventions. In addition to the above, Richard Chenoweth's presentation includes performances of major operatic repertoire as well as a question and answer session and information about opera resources. This presentation also includes a hand-out of essential operatic repertoire and some recorded performances.

 

Disc 24 Amateur Corner with David Krehbiel

 

Disc 25 Audition Bootcamp-Session 2

As more and more students graduate from great music schools all over the world, competition at auditions continues to increase every year. The "Audition Bootcamp" lecture series covers a broad range of topics aimed at assisting musicians to develop the "skill" of auditioning including:
• Preparation before practicing excerpts
• Achieving and maintaining focus throughout the audition
• Covering the basics- rhythm, intonation, tone quality, etc.
• Excerpt preparation
• Audition day tips
• Dealing with performance anxiety
Often at auditions you have less than 10 minutes to "sell" your product. Learn how to be a more effective salesperson for your playing.

 

Disc 26 Pedagogical Pearls with Douglas Hill-Session 2

If it weren't for our teachers, how well would we play? If it weren't for great players, how well would we teach? If it weren't for innovative thinking, how could we ever know? If we don't tell each other what we know about how we tell about how we play and about how we teach, how will we ever improve? Four varied panel discussions on teaching and learning. Professor Douglas Hill moderates the sharing of ideas by guest artists, teachers, and audience members on philosophies, theories, and the practical concerns of building and running a successful horn studio filled with talented and enthusiastic students.

Panel 2- “Philosophies, Theories and Manners of Teaching”

With guests-Lin Foulk, Catherine Roche-Wallace and Patrick Hughes

 

Disc 27 3pm Recital: HBCU-NBDC Horn Choir, Ben Lieser, Laurence Lowe, Michelle Stebleton, & Quadre

1. Lift Ev’ry Voice and Sing James W. Johnson, John R. Johnson

"The Negro National Hymn"

HBCU-NBDC Horn Choir, W. Marshall Sealy, Conductor

2. A Cannon W.A. Mozart

HBCU-NBDC Horn Choir, W. Marshall Sealy, Conductor

3. Pilgrim’s Chorus from Tannhäuser Richard Wagner

HBCU-NBDC Horn Choir, W. Marshall Sealy, Conductor

4. Tribute to Jerome Ashby by Marshall Sealy

5. Duo Michael Viljoen

Michelle Stebleton, horn Ben Lieser, horn Tomoko Kanamaru, piano

QUADRE – The Voice of Four Horns

Amy Jo Rhine, Lydia Van Dreel, Nathan Pawelek, Daniel Wood

6. Tumbling After from "Reason to Rhyme" Daniel Wood

7. Son Montuno from "Cuadro Cuadrangulos" David Garner

8. Over the Rainbow Harold Arlen, arr. Mark Garrabrant

9. Landler Outlandish from "Quartet #1" Nathan Pawelek

10. Fire in the Hole Mark Adam Watkins

featuring guest artist, Adam Unsworth

 

Disc 30 Mass Horn Choir-Selections from Handel’s “Messiah”

1. Remarks by David Krehbiel

2-7. Messiah G. F. Handel, arr. James DeCorsey

I Overture

II For unto us a Child is born

III Glory to God

IV Pastoral Symphony

V And with His strips we are healed

VI Surely He hath borne our griefs

VII Since by man came death

VIII Hallelujah

Mass Horn Choir, A. David Krehbiel, conductor

8. Remarks by Jeffrey Snedeker

 

Friday, July 25

Disc 31 Masterclass with Bruno Schneider

Coaching individual masterclass winners, Charles Crabtree and Jean-Etienne Mailliot

 

Disc 32 Classical Improv with Jeffrey Agrell-Session 3

Players interested in improvising as classical (i.e. not jazz) musicians have a chance to take part in daily improv sessions led by Jeffrey Agrell; the sessions are based on games taken from his new book, Improvisation Games for Classical Musicians (GIA Publications).

 

Disc 33 Lecture: Randy Gardner-“Effective Approaches to Teaching and Learning to Play the Horn”

This presentation moves from general principles of teaching and learning to very specific thoughts on how to effectively address particular physical, musical, and psychological aspects of horn playing with hornists from beginners to the most advanced. Powerful practice techniques are discussed, along with effective approaches to diagnosing and improving areas of weakness in the simplest possible manner. Specifically targeted techniques are also suggested to improve many fundamental horn-playing issues.

 

Disc 34 Jazz Clinic: Starting at “Ground Zero”- Jeffrey Snedeker

In general, Horn players rarely have the same early experiences that other instrumentalists do in learning how to play in a jazz style and then how to improvise in a jazz context. This hands-on clinic introduces some basic exercises that help individuals to develop a vocabulary for playing in a jazz style, and then provides some jazz “licks” and other practical advice on how to make improvising on a jazz tune more tangible. All participants begin in a group performance (“safety-in-numbers”) setting, in hopes of making enough progress for each person to feel more confident about the possibility of performing a simple improvised solo.

 

Disc 35 Lecture: Sean & Pamela Kierman-“Non-formal Brass Education in South Africa (particularly the Western Cape and its role in the development of professional musicians)”

South Africans in the Western Cape did not historically have access to formal instrumental music instruction in the apartheid era due to the huge educational disparities as a result of the segregated school system instituted in 1958. As a result, much brass instruction took place in church communities and in various outreach projects. This lecture provides a brief overview of the important role that community music has played in ensuring that music education is accessible to all and the role it has played in the development of professional musicians.

 

Disc 36 2pm Recital: Lisa Ford, Lin Foulk, Lowell Greer-Disc 1

1. The Death of Roland Lowell Greer

Lowell Greer, horn

2-4. Sonata für Althorn in Es und Klavier Paul Hindemith

I Ruhig bewegt II Lebhaft III Sehr langsam IV Lebhaft

Lisa Ford, horn Tomoko Kanamaru, piano

5-9. Two Divertissements from an Italian Comedy Jean-Joseph Mouret

Lowell Greer, Baroque horn Caryl Conger, harpsichord

10-13. Divertimento for Horn, Tuba and Piano David R. Gillingham

I Fanfare II March III Nocturne IV Scherzo V Prelude and Ritual Dance

Lin Foulk, horn Deanna Swoboda, tuba Caryl Conger, piano

14. Remarks by Lowell Greer

15-16. Trio Louis-François Dauprat

Lowell Greer, hand horn Caryl Conger, piano

17. Theme and Variations, op.13 Franz Strauss

Lisa Ford, horn Tomoko Kanamaru, piano

18. Hubertus Mass Excerpts Dimitri Donders

Lowell Greer, horn

The Hunting Horns of General Washington Trompe de Chasse (Hunting Horn)

 

Disc 37 2pm Recital: Lisa Ford, Susan McCullough, Jesse McCormick, & Lowell Greer-Disc 2

1-3. Quintet for Oboe, Three Horns and Bassoon Ludwig van Beethoven

I Allegro II. Adagio Maestoso III Minuetto Allegro

Lisa Ford, horn Susan McCullough, horn Jesse McCormick, horn

Lisa Martin, oboe Sarah Stewart, bassoon

4-5. Fanfare Lowell Greer

Lowell Greer, horn Caryl Conger, piano

 

Disc 38 Pedagogical Pearls with Douglas Hill-Session 3

If it weren't for our teachers, how well would we play? If it weren't for great players, how well would we teach? If it weren't for innovative thinking, how could we ever know? If we don't tell each other what we know about how we tell about how we play and about how we teach, how will we ever improve? Four varied panel discussions on teaching and learning. Professor Douglas Hill moderates the sharing of ideas by guest artists, teachers, and audience members on philosophies, theories, and the practical concerns of building and running a successful horn studio filled with talented and enthusiastic students.

Panel 3- “Studio Concerns-Specific Situations”

With guests-Michael Thornton, John David Smith, Marian Hesse and Bill Scharnberg

 

Disc 39 7:30pm Concert: Marshall Sealy, Jeffrey Snedeker, Douglas Hill & Adam Unsworth with the Air Force Falconaires-Disk 1

1. Curnow Anthem arr. Bob Curnow

2. Cut 'n Run Gordon Goodwin

3. Too Close For Comfort Jerry Bock, Larry Holofcener and George Weiss, arr. Gordon Goodwin

4. The View From the Villa Eric Richards

The United States Air Force Academy Falconaires

5. Misty Erroll Garner, arr. Gene Roland

Jeffrey Snedeker, horn

6. Love is Stronger than Us Francis Lai, arr. Thomas Olin

(A Ballad for Horn and Jazz Orchestra)

Marshall Sealy, horn

7. First Times Gregory Snedeker Jeffrey Snedeker, horn

 

Disc 40 7:30pm Concert: Marshall Sealy, Jeffrey Snedeker, Douglas Hill & Adam Unsworth with the Air Force Falconaires-Disk 2

1. Eleanor’s Here Adam Unsworth

Adam Unsworth, horn Les Thimmig, soprano saxophone

2. Find Your Way Adam Unsworth

Adam Unsworth, horn Les Thimmig, alto flute

3. Sapphire Mountain (1987) Les Thimmig

Adam Unsworth, horn

4. Two French Fries Gigi Gryce

Jazz Artists

 

Saturday, July 26

Disc 41 Classical Improv with Jeffrey Agrell-Session 4

Players interested in improvising as classical (i.e. not jazz) musicians have a chance to take part in daily improv sessions led by Jeffrey Agrell; the sessions are based on games taken from his new book, Improvisation Games for Classical Musicians (GIA Publications).

 

Disc 42 Masterclass with Lisa Ford

Coaching individual masterclass winners, Carlie Kilgore and Ben Reidhead

 

Disc 43 Lecture: Ken Pope-“What’s in a Name?”

In this session we challenge hornist's preconceptions of horn makes, designs and sounds. Soloists play a selection of horns behind a screen and the listeners try to match the sounds with the manufacturers of the horns.

Does a Conn 8D really sound bigger and darker than a medium bore horn? Will a student model sound worse than a professional horn? Is it the player or the horn?

You be the judge, and learn about yourself at the same time.

 

Disc 44 Lecture: John Ericson-“Playing the Wagner Tuba”

All advanced hornists must become familiar with the repertoire and performing techniques of the Wagner tuba. Constructed to use a horn mouthpiece, this small tuba is performed by horn players in major works by Wagner, Bruckner, Strauss, and others. This session focuses on practical aspects of performing the Wagner tuba with topics including instrument models, mouthpiece choices, notation systems used by composers, and intonation concerns for B-flat tenor and F bass Wagner tubas.

 

Disc 45 Lecture: Marshall Sealy-“The Horn and Folk Music Traditions”

Experience interactive folk music traditions as presented by W. Marshall Sealy and performed by world music ensemble, Horn Song. This exciting presentation includes participation from the audience, along with demonstrations and descriptive explanations of specific folk music selections.

 

Disc 49 Audition Bootcamp with Bernhard Scully and Jesse McCormick-Session 3

 

Disc 50 Pedagogical Pearls with Douglas Hill-Session 4

If it weren't for our teachers, how well would we play? If it weren't for great players, how well would we teach? If it weren't for innovative thinking, how could we ever know? If we don't tell each other what we know about how we tell about how we play and about how we teach, how will we ever improve? Four varied panel discussions on teaching and learning. Professor Douglas Hill moderates the sharing of ideas by guest artists, teachers, and audience members on philosophies, theories, and the practical concerns of building and running a successful horn studio filled with talented and enthusiastic students.

Panel 4- “Performance Needs-Specific Approaches”

With guests-Jeffrey Agrell, Jonathan Stoneman, Douglas Lundeen and Bruno Schneider

 

Disc 51 Amateur Corner with John Ericson

 

Disc 52 7:30pm Concert: University of Arizona Horn Studio & Randy Gardner-Disk 1

1. Memoirs and Souvenirs: Randall E. Faust

Prelude and Variations for Multiple Horn Ensemble University of Arizona Horn Studio, Daniel Katzen, conductor

2-4. Good to Go Douglas Lowry

World Premiere

Randy Gardner, horn Mark Ostoich, oboe Tomoko Kanamaru, piano

 

Disc 53 7:30pm Concert: Frank Lloyd, American Horn Quartet & Hong Kong Academy for Performing Arts Concert Band with Harry CHIU Kwok-pong-Disk 2

1-3. Concerto for Horn Edward Gregson, arr.Roger Harvey

(World Premier of Horn & Wind Band arrangement)

I Allegro non troppo II Andante cantabile III Allegro brioso

Frank Lloyd, horn

4. Concerto No. 4, K 495 W. A. Mozart, trans. Philip G. Simon III Allegro

Harry CHIU Kwok-pong, horn

5-10. Summer Nights Martin Ellerby

(Six Vignettes for Solo Horn and Concert Band)

I Villanelle II The Ghost of the Rose III On the Lagoons

IV Absence V At the Cemetery VI The Unknown Isle

Frank Lloyd, horn

11. Etude Tim Jackson

Frank Lloyd, horn

12-13. Introduction and Main Event Kerry Turner

The American Horn Quartet:

Kerry Turner Geoffrey Winter David Johnson Charles Putnam

 

Sunday, July 27

Disc 54 4pm Participant Ensemble Concert-Disk 1

Cornolina Octet

1. Farewell to Red Castle Kerry Turner

2-4. Blues For Horn (3 Movement) Bill Holcombe

5-6. You Stepped Out of a Dream Herb Nacio Brown & Gus Kahn, arr. Bill Holcombe

7. Einleitung und Endung Gustav Mahler, arr. Robert Pruzin

Directed by Robert Pruzin

University Horn Ensemble

8. Short Suite Verne Reynolds

I Toccata III Ricercata

9-12. Folk Song Suite arr. Louis J. Stout, ed. Christopher Leuba

I The Cuckoo II Oh! Pretty Maid III Rule Brittania IV Gum Tree Canoe

Directed by Ron Lemon

Brains and Braun

13-14. Requiem Verdi, arr. Leigh Martinet

Rex Tremendae Sanctus

15. Symphony No. 3 Saint-Saëns, arr. Wendell Rider

Adagio

Directed by Elaine Braun

 

Disc 55 4pm Participant Ensemble Concert-Disk 2

University Horn Choir

1. Le Son du cor Arne Oldberg

Directed by Christopher Leuba

Gold & Silver Horns

2. Ave vernum Corpus Wolfgang Amadeus Mozart, arr. Wendell Rider

3-4. Horn Players’ Retreat and Pumping Song David Stanhope

Directed by Wendell Rider

The “A Horn Ensemble”

5. Canzon per Sonar Primi Toni Giovanni Gabrieli, trans. Verne Reynolds

6. Rite of Spring Igor Stravinsky, arr. Mort Shafer

Directed by Lin Foulk

Professional Ensemble

7-8. “Relics” and “Gratitude” from Recollections for 8 Horns (2007) Douglas Hill

Directed by Douglas Hill

University Horn Ensemble

9-11. Waters Rising (2008) IHS Premiere Jeffrey Agrell

12. The Ascencion Paul Basler

Directed by Rebecca Shaffer

High School Horn Choir

13. O Rest in the Lord from Elijah Mendelssohn, arr. Shaw

14-15. Prelude & Fugue in A Minor Bach, arr. Shaw

Directed by Mike Hatfield


Disc 56 4pm Participant Ensemble Concert-Disk 3

Rocky Mountain Oyster Ensemble

1. Symphony #5 in C minor, Op. 67 L.V. Beethoven, arr. Christopher V. Jones

I Allegro con brio

2-3. Farewell to Red Castle Kerry Turner

Directed by Kendall Betts

 

Disc 57 7:30pm Concert: Bernhard Scully-Disk 1

Sunday, July 27, 2008, 7:30 pm-Disk 1

1. Remarks by Susan McCullough and Jesse McCormick

2. En Foret, op.40 Eugene Bozza

Bernhard Scully, horn Caryl Conger, piano

3-5. Suite #3 in C Major, BWV1009 J.S. Bach
Prelude Sarabande Bourree I, II

Bernhard Scully, horn

6-8. Three Pieces from op. 35 Reinhold Gliere
Romance-No. 6 Valse Triste-No. 7 Intermezzo-No. 11
Bernhard Scully, horn Caryl Conger, piano

9-11. Jazz Soliloquies for Horn Douglas Hill

Blues-like Mixin' Laid back

Bernhard Scully, horn

 

Disc 58 7:30pm Concert: Professor I.M. Gestopfmitscheist-Disc 2

1. Remarks

2. Concerto #3 in Eb Major, K. 447, Allegro Wolfgang Amadeus Mozart

Lowell Greer, Bruno Schneider, Marshall Sealy, Jesse McCormick, Lisa Ford and Prof. I.M. Gestopfmitscheist, horns

13-16. Lexicon of Clamology Prof. I.M. Gestopfmitscheist

 

 

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